Social Media
Automation.
Two tools, one or both depending on what you need: a Video Editor for your raw videos, and Social Autopilot for the posting. Instagram, Facebook, YouTube and TikTok.
5.0 across 40+ Google reviews- Social media automation with two tools, one or both depending on your need.
- Video Editor: your raw videos cut, subtitled, dressed and mastered for where they go, organic, ads or landscape, best practices and safe zones built in.
- Social Autopilot: posted on Instagram, Facebook, YouTube and TikTok at the hour you set, with a caption written per post and per platform to its best practices.
- Built once, in your accounts, instead of an editor paid every month. Part of our AI workflow automation.
Look at your week.
Social media is the first thing to slip when the team gets busy. A video shot on Monday, still on the phone on Friday. A week of posts, then a month of silence. And when it does get done, someone is paid per video and per week to do it.
The video that never gets cut
Silences to cut, subtitles, one format per platform, a cover: five small steps nobody has time for, so the video stays on the phone and nothing goes out.
Posting in bursts, then silence
Four apps, four caption boxes, four best hours. Posting by hand collapses the moment things get busy, and the platforms punish the gaps.
The editor paid every month
A freelance editor bills every video, every month, and the delay between the shoot and the post follows their calendar, not yours. The cost never goes down and the pace never goes up.
One tool, or both, depending on what you need.
Two automations we run on our own videos every week, set up in your accounts. Some clients need the editing, some need the posting, most end up with both, because the videos flow from one into the other. Each one is built once and runs on every video after that.
Video Editor
Your raw take, cut for where it goes: organic, ads or the landing page.
You shoot on a phone or in a studio and drop the raw take in a folder, with the script and where it goes next to it: organic, ads or the landing page. The tool does what an editor would bill you for, the way we do it for our own videos, in four passes: the cut, the on-screen layer, the sound, the master. Every pass follows the best practices of the platform it is going to, safe zones, lengths and loudness included, and the same take comes out as an organic reel, an ad or a landscape cut.
- The cut. The raw take turned into an edit: it opens on the hook, no intro, because the first second decides whether the scroll stops. Silences and retakes out, the cuts and the transitions placed, you lifted from the background when an insert has to sit behind you, a colour correction when the brief asks for one.
- Subtitles and inserts. The words taken from your script and timed on the audio, one size for the whole video, inside the band the apps never cover. Cards, mockups, screenshots and numbers build up next to you, in the safe zone of every phone.
- The sound. Your voice cleaned and remastered, the sound of every insert, a music bed picked by measurement, the whole mastered at the loudness the platforms expect on a phone speaker.
- Master, cover and check. The master exported in the format of where it goes, with its cover, checked for duration, safe zones and loudness before it reaches the queue.
- One take, three destinations. Organic gets the 9:16 reel under 60 seconds. Ads get the spoken hook, the tighter cut and the closing pill. The landing page gets the 16:9 cut. The tool adapts to where the video goes, and each cut follows the rules of that destination.
Social Autopilot
One calendar, one entry per video. Mark it ready, it posts when you decided.
The machine that publishes our own reels. Your calendar is a database, not a document: one entry per video with the day, the hour, the file and a caption written for each platform to its best practices. Mark the entry ready and, at the hour you chose, the reel goes out on Instagram, Facebook, YouTube Shorts and TikTok. The day after, the Story follows on Instagram and Facebook. The status comes back in the entry, and a failed leg pings us, not you.
- A structured calendar. One entry per video: the day, the hour, the file, the caption per platform, a ready flag. A database the tool reads, not a document, filled weeks ahead from your pillars, by you or with us.
- A caption per platform, to its best practices. Instagram, Facebook, YouTube and TikTok each get their own text, written to the rules of that platform: the hook in the first line, the length, the hashtags, the mentions. Never the same text pasted four times.
- Posted when you decide. The day and the hour are yours, per platform. At that hour the Reel goes to Instagram, the Facebook Page, YouTube Shorts, and TikTok through its official API, where the video lands as a draft and one tap in the app publishes it.
- The Story the day after. At the hour you set, yesterday's reel goes out again as a Story on Instagram and Facebook. The calendar records what went out where, an error log keeps the rest.
One tool, or both, in your own accounts.
The tool that cuts, subtitles, dresses and masters your raw videos for where they go, organic, ads or landscape, with the safe zones, lengths and loudness of each platform built in, the way we edit our own reels. Built once, yours.
The posting machine on Instagram, Facebook, YouTube and TikTok: one calendar, a caption per platform written to its best practices, the reel at the hour you set, the Story the day after.
Nothing goes out without it. One calendar, one entry per video, and the flag you set when the reel and its captions are good.
The calendar records what went out where, an error log keeps the rest, and a failed leg pings us, not you.
Why it pays over time.
A person is paid per video and per week, forever. A tool is built once.
The price never goes down, and the pace is theirs. The Video Editor is built once and runs on every video after that, the same day it is shot.
Hours a week writing captions and posting on four apps. Social Autopilot does it from one approved queue, at the right hour on each platform.
Ten videos a month or forty, the tools run the same way. The only limit is what you shoot.
Nothing is posted without your tap, the strategy stays yours, and the tools live in your accounts, not ours.
How we work.
- 1
Understand
What you shoot and post today, where, how often, and which of the two tools you need first.
- 2
Choose
The Video Editor, Social Autopilot or both. The platforms, the cadence, what stays human, written down.
- 3
Build
The tools in your accounts, the same ones that edit and publish our own reels, tested on your videos before they run.
- 4
Run
We run them after launch. A failed post pings us, not you.
Who this is for.
- Businesses that shoot on a phone and never find the time to cut and post
- Brands paying an editor per video and a person per week to post
- Anyone whose Instagram, Facebook, YouTube or TikTok goes silent the moment the month gets busy
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Other areas we automate.
Sales & Lead Generation Automation
Leads found, answered and followed up without your team doing it by hand: first reply in a minute, follow-ups until someone answers, quotes drafted from your prices, everything in the CRM.
Customer Service Automation
The questions people ask you every day answered in seconds by a chatbot, on your website or on the channel your clients use, from your own prices and hours, with a person taking over when it matters.
Customer Retention Automation
Customers who come back on their own: abandoned carts and checkouts, delivered orders, appointments, silent customers, failed payments and renewals handled by workflows, by email.
Reporting & Data Automation
Your numbers without building them: a Monday summary that says what moved and why, dashboards fed from your tools, an alert the moment a number crosses a line.
Operations & Finance Automation
The paperwork that builds itself, the way we run our own agency: a lead becomes a proposal, an accepted proposal a contract, a signed contract an invoice, a paid invoice a receipt, and every step lands in the accounting and the ERP.
Social Media Automation, answered.
Straight answers on what is included, timing, and how we work.
The editing pipeline we built for our own reels, set up for your videos. It takes the raw take, the script and where the video goes, and works in four passes: the cut (opens on the hook, silences out, transitions, you lifted from the background when an insert sits behind you, a colour correction when asked), the subtitles and inserts, the sound remastered, then the master with its cover, checked for duration, safe zones and loudness. The same take comes out as an organic reel, an ad or a landscape cut, each to the best practices of where it goes. You shoot, it edits, you approve the final look.
The posting tool, the same one that publishes our own reels. Your calendar is a database, not a document: one entry per video with the day, the hour, the file and a caption written for each platform to its best practices. Mark the entry ready and, at the hour you chose, the reel goes out on Instagram, Facebook, YouTube Shorts and TikTok, then the Story the day after on Instagram and Facebook. The status comes back in the entry.
No. Some clients shoot well and post by hand, they need the Video Editor. Some have an editor and hate the posting, they need Social Autopilot. Most end up with both, because the videos flow from one into the other. We tell you which one to start with after looking at what you shoot and post today.
An editor is paid per video, every month, and the price never goes down. The tools are built once, in your accounts, and run on every video after that. Ten videos a month or forty, the cost of running them stays the same, so the more you shoot, the more it pays.
Shooting the videos, the final look, the hours and the ready flag. Nothing is posted without it, and the calendar is yours to keep, move or drop.
Yes, but on a different page: the plan, the writing and the automated publishing of articles are the work of SEO Content Strategy. This page is the video and the social posting.
It depends on which tool you need, the platforms and the volume. A setup project per tool comes first, then a monthly plan because the tools run every week and need watching. We scope it on a 20-minute call.
Post every week, without the editor's bill.
We look at what you shoot and post today, tell you which of the two tools you need first, build it in your accounts, and hand you the approval queue.